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A suited businesswoman working on her laptop indoors with a teapot by side

A suited businesswoman working on her laptop indoors with a teapot by side

shixart1985 Flickr
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  1. Young businesswoman with curly hair sitting in uniform holding smartphone and working on her laptop at home. (51533503705)

    Young businesswoman with curly hair sitting in uniform holding smartphone and working on her laptop at home. (51533503705)

  2. Businesswoman Working on Laptop

    Businesswoman Working on Laptop

  3. Young female entrepreneur working on her laptop while holding it on her lap

    Young female entrepreneur working on her laptop while holding it on her lap

  4. Businesswoman Working on Laptop

    Businesswoman Working on Laptop

  5. Chasuble, green and red voided velvet, embroidered orphreys, probably Italy, 15th century. Violin- or shield-shaped chasuble of voided silk velvet with green pile and red satin ground, embroidered orphreys have been appliqued to ground. The embroidery has been built up from a base of linen, stitched in coloured silk (in three shades of green, of blue and of red), silver, and silver-gilt thread, in couching, and long and short stitch. The ground of the embroidery is executed in different textures and fillings of metallic thread, and some of it is raised work. The pattern on the velvet consists of an interrupted wavy diagonal stem, bearing on one side conventionalised pine-cones, and on the other pomegranates in a circle of leaves. This pattern is seen best on the back of the chasuble as the front has been pieced together. The back is also much less worn than the front, revealing the construction of the embroidery. It is lined in blue linen. Iconography: the orphreys depict scenes from the Life of the Virgin, mainly on backgrounds of gold and silver and were originally intended for a cope rather than a chasuble. They have been mutilated when recycled, the lowest compartment of the design cut to suit the length of the chasuble, and two of the remaining compartments used to trim the neckline. They have been unsympathetically used, so that the same scene is at the same level, but cannot be read left to right. Each scene comprises a group of people in an architectural setting, definitely classical in line rather than Gothic.The folds on the clothing of the figures are very carefully delineated. Round the neck: (1) the death of the Virgin, lying on a bed surrounded by the Apostles, and (2) the Assumption of the Virgin, borne up by angels with St Thomas by the tomb below. On the back: (1) the Anunciation; the Virgin seated, the Angel kneeling, God the Father appearing in the clouds and the Dove descending, (2) the presentation of the Virgin in the Temple; she ascends the stair to the High Priest, her parents, St Anna and St Joachim, wait below, (3) the meeting of St Anna and St Joachim; they embrace before the Golden Gate of Jerusalem, an angel touches their heads and a manservant and maidservant attend them, (4) the rejection of St Joachim's offering: he carries away a lamb from the altar behind which three priests are sitting or standing, (5) the angel appearing to St Joachim among the shepherds, the lower part is missing. On the front orphrey: (1) the Announcement of the approaching death of the Virgin, she is seated, the angel bearing the palm kneels to her, behind her stand a group of the Apostles, (2) the betrothal of the Virgin to St Joseph; the priest joins their hands in the presence of St Anna and three suitors; the two figures on the extreme outer edges are very fashionable dressed for the mid 15th century, (3) the birth of the Virgin; St Anna in bed, a woman beside her and a servant bringing a bowl, the lower part cut away. Voided velvet, with embroidered orphreys of silk, silver and silver gilt on linen.

    Chasuble, green and red voided velvet, embroidered orphreys, probably Italy, 15th century. Violin- or shield-shaped chasuble of voided silk velvet with green pile and red satin ground, embroidered orphreys have been appliqued to ground. The embroidery has been built up from a base of linen, stitched in coloured silk (in three shades of green, of blue and of red), silver, and silver-gilt thread, in couching, and long and short stitch. The ground of the embroidery is executed in different textures and fillings of metallic thread, and some of it is raised work. The pattern on the velvet consists of an interrupted wavy diagonal stem, bearing on one side conventionalised pine-cones, and on the other pomegranates in a circle of leaves. This pattern is seen best on the back of the chasuble as the front has been pieced together. The back is also much less worn than the front, revealing the construction of the embroidery. It is lined in blue linen. Iconography: the orphreys depict scenes from the Life of the Virgin, mainly on backgrounds of gold and silver and were originally intended for a cope rather than a chasuble. They have been mutilated when recycled, the lowest compartment of the design cut to suit the length of the chasuble, and two of the remaining compartments used to trim the neckline. They have been unsympathetically used, so that the same scene is at the same level, but cannot be read left to right. Each scene comprises a group of people in an architectural setting, definitely classical in line rather than Gothic.The folds on the clothing of the figures are very carefully delineated. Round the neck: (1) the death of the Virgin, lying on a bed surrounded by the Apostles, and (2) the Assumption of the Virgin, borne up by angels with St Thomas by the tomb below. On the back: (1) the Anunciation; the Virgin seated, the Angel kneeling, God the Father appearing in the clouds and the Dove descending, (2) the presentation of the Virgin in the Temple; she ascends the stair to the High Priest, her parents, St Anna and St Joachim, wait below, (3) the meeting of St Anna and St Joachim; they embrace before the Golden Gate of Jerusalem, an angel touches their heads and a manservant and maidservant attend them, (4) the rejection of St Joachim's offering: he carries away a lamb from the altar behind which three priests are sitting or standing, (5) the angel appearing to St Joachim among the shepherds, the lower part is missing. On the front orphrey: (1) the Announcement of the approaching death of the Virgin, she is seated, the angel bearing the palm kneels to her, behind her stand a group of the Apostles, (2) the betrothal of the Virgin to St Joseph; the priest joins their hands in the presence of St Anna and three suitors; the two figures on the extreme outer edges are very fashionable dressed for the mid 15th century, (3) the birth of the Virgin; St Anna in bed, a woman beside her and a servant bringing a bowl, the lower part cut away. Voided velvet, with embroidered orphreys of silk, silver and silver gilt on linen.

  6. Focused worker working at laptop at company workplace - Credit to https://www.lyncconf.com/

    Focused worker working at laptop at company workplace - Credit to https://www.lyncconf.com/

  7. Sun at Work in Her New Office Suite

    Sun at Work in Her New Office Suite

  8. Part of my working desk (XO-1 from OLPC, my laptop, a coffee, some papers and some other stuff)

    Part of my working desk (XO-1 from OLPC, my laptop, a coffee, some papers and some other stuff)

  9. Man Laptop Working

    Man Laptop Working

  10. Using the latest tech to write her novel! Touch-screen @LGusa monitor, toshiba laptop & Windows 8. Cheese & apples not included.

    Using the latest tech to write her novel! Touch-screen @LGusa monitor, toshiba laptop & Windows 8. Cheese & apples not included.

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